The Devil & Sherlock Holmes: Tales of Murder, Madness & Obsession Page 12

  Parker’s phone rang. It was a television producer from the tabloid show “Hard Copy,” who had heard about the extraordinary return of sixteen-year-old Nicholas Barclay and wanted to hire Parker to help investigate the kidnapping. He agreed to take the job.

  With silver hair and a raspy voice, Parker, who was then in his late fifties, appeared to have stepped out of a dime novel. When he bought himself a bright-red Toyota convertible, he said to friends, “How ya like that for an old man?” Though Parker had always dreamed about being a P.I., he had only recently become one, having spent thirty years selling lumber and building materials. In 1994, Parker met a San Antonio couple whose twenty-nine-year-old daughter had been raped and fatally stabbed. The case was unsolved, and he began investigating the crime each night after coming home from work. When he discovered that a recently paroled murderer had lived next door to the victim, Parker staked out the man’s house, peering out from a white van through infrared goggles. The suspect was soon arrested and ultimately convicted of the murder. Captivated by the experience, Parker formed a “murders club,” dedicated to solving cold cases. (Its members included a college psychology professor, a lawyer, and a fry cook.) Within months, the club had uncovered evidence that helped to convict a member of the Air Force who had strangled a fourteen-year-old girl. In 1995, Parker received his license as a private investigator, and he left his life in the lumber business behind.

  After Parker spoke with the “Hard Copy” producer, he easily traced Nicholas Barclay to Carey and Bryan’s trailer. On November 6th, Parker arrived there with a producer and a camera crew. The family didn’t want Bourdin to speak to reporters. “I’m a very private person,” Carey says. But Bourdin, who had been in the country for nearly three weeks, agreed to talk. “I wanted the attention at the time,” he says. “It was a psychological need. Today, I wouldn’t do it.”

  Parker stood off to one side, listening intently as the young man relayed his harrowing story. “He was calm as a cucumber,” Parker told me. “No looking down, no body language. None.” But Parker was puzzled by his curious accent.

  Parker spied a photograph on a shelf of Nicholas Barclay as a young boy, and kept looking at it and at the person in front of him, thinking that something was amiss. Having once read that ears are distinct, like fingerprints, he went up to the cameraman and whispered, “Zoom in on his ears. Get ’em as close as you can.”

  Parker slipped the photograph of Nicholas Barclay into his pocket, and after the interview he hurried back to his office and used a scanner to transfer the photo to his computer; he then studied video from the “Hard Copy” interview. Parker zeroed in on the ears in both pictures. “The ears were close, but they didn’t match,” he says.

  Parker called several ophthalmologists and asked if eyes could be changed from blue to brown by injecting chemicals. The doctors said no. Parker also phoned a dialect expert at Trinity University, in San Antonio, who told him that, even if someone had been held in captivity for three years, he would quickly regain his native accent.

  Parker passed his suspicions on to the authorities, even though the San Antonio police had declared that “the boy who came back claiming to be Nicholas Barclay is Nicholas Barclay.” Fearing that a dangerous stranger was living with Nicholas’s family, Parker phoned Beverly and told her what he had discovered. As he recalls the conversation, he said, “It’s not him, ma’am. It’s not him.”

  “What do you mean, it’s not him?” she asked.

  Parker explained about the ears and the eyes and the accent. In his files, Parker wrote, “Family is upset but maintains that they believe it is their son.”

  Parker says that a few days later he received an angry call from Bourdin. Although Bourdin denies that he made the call, Parker noted in his file at the time that Bourdin said, “Who do you think you are?” When Parker replied that he didn’t believe he was Nicholas, Bourdin shot back, “Immigration thinks it’s me. The family thinks it’s me.”

  Parker wondered if he should let the matter go. He had tipped off the authorities and was no longer under contract to investigate the matter. He had other cases piling up. And he figured that a mother would know her own son. Still, the boy’s accent sounded French, maybe French Moroccan. If so, what was a foreigner doing infiltrating a trailer home in the backwoods of Texas? “I thought he was a terrorist, I swear to God,” Parker says.

  Beverly rented a small room in a run-down apartment complex in San Antonio, and Parker started to follow Bourdin when he visited her. “I’d set up on the apartment, and watch him come out,” Parker says. “He would walk all the way to the bus stop, wearing his Walkman and doing his Michael Jackson moves.”

  Bourdin was struggling to stay in character. He found living with Carey and Beverly “claustrophobic,” and was happiest when he was outside, wandering the streets. “I was not used to being in someone else’s family, to live with them like I’m one of theirs,” he says. “I wasn’t ready for it.” One day, Carey and the family presented him with a cardboard box. Inside were Nicholas’s baseball cards, records, and various mementos. He picked up each item, gingerly. There was a letter from one of Nicholas’s girlfriends. As he read it, he said to himself, “I’m not this boy.”

  After two months in the United States, Bourdin started to come apart. He was moody and aloof—“weirding out,” as Codey put it. He stopped attending classes (one student tauntingly said that he sounded “like a Norwegian”) and was consequently suspended. In December, he took off in Bryan and Carey’s car and drove to Oklahoma, with the windows down, listening to Michael Jackson’s song “Scream”: “Tired of the schemes / The lies are disgusting . . . / Somebody please have mercy / ’Cause I just can’t take it.” The police pulled him over for speeding, and he was arrested. Beverly, Carey, and Bryan picked him up at the police station and brought him home.

  According to his real mother, Ghislaine, Bourdin called her in Europe. For all his disagreements with his mother, Bourdin still seemed to long for her. (He once wrote her a letter, saying, “I don’t want to lose you. . . . If you disappear then I disappear.”) Ghislaine says Bourdin confided that he was living with a woman in Texas who believed that he was her son. She became so upset that she hung up.

  Shortly before Christmas, Bourdin went into the bathroom and looked at himself in the mirror—at his brown eyes, his dyed hair. He grabbed a razor and began to mutilate his face. He was put in the psychiatric ward of a local hospital for several days of observation. Later, Bourdin, paraphrasing Nietzsche, wrote in a notebook, “When you fight monsters, be careful that in the process you do not become one.” He also jotted down a poem: “My days are phantom days, each one the shadow of a hope; / My real life never was begun, / Nor any of my real deeds done.”

  Doctors judged Bourdin to be stable enough to return to Carey’s trailer. But he remained disquieted, and increasingly wondered what had happened to the real Nicholas Barclay. So did Parker, who, while trying to identify Bourdin, had started to gather information and interview Nicholas’s neighbors. At the time that Nicholas disappeared, he was living with Beverly in a small one-story house in San Antonio. Nicholas’s half brother, Jason, who was then twenty-four, had recently moved in with them after living for a period with his cousin, in Utah. Jason was wiry and strong, with long brown curly hair and a comb often tucked in the back pocket of his jeans. He had burn marks on his body and face: at thirteen, he had lit a cigarette after filling a lawn mower with gasoline and accidentally set himself on fire. Because of his scars, Carey says, “Jason worried that he would never meet somebody and he would always be alone.” He strummed Lynyrd Skynyrd songs on his guitar and was a capable artist who sketched portraits of friends. Though he had only completed high school, he was bright and articulate. He also had an addictive personality, like his mother, often drinking heavily and using cocaine. He had his “demons,” as Carey put it.

  On June 13, 1994, Beverly and Jason told police that Nicholas had been playing basketball three days earlier
and called his house from a pay phone, wanting a ride home. Beverly was sleeping, so Jason answered the phone. He told Nicholas to walk home. Nicholas never made it. Because Nicholas had recently fought with his mother over the tennis shoes he had stolen, and over the possibility of being sent to a home for juveniles, the police initially thought that he had run away—even though he hadn’t taken any money or possessions.

  Parker was surprised by police reports showing that after Nicholas’s disappearance there were several disturbances at Beverly’s house. On July 12th, she called the police, though when an officer arrived she insisted that she was all right. Jason told the officer that his mother was “drinking and scream[ing] at him because her other son ran away.” A few weeks later, Beverly called the police again, about what authorities described as “family violence.” The officer on the scene reported that Beverly and Jason were “exchanging words;” Jason was asked to leave the house for the day, and he complied. On September 25th, police received another call, this time from Jason. He claimed that his younger brother had returned and tried to break into the garage, fleeing when Jason spotted him. In his report, the officer on duty said that he had “checked the area” for Nicholas but was “unable to locate him.”

  Jason’s behavior grew even more erratic. He was arrested for “using force” against a police officer, and Beverly kicked him out of the house. Nicholas’s disappearance, Codey told me, had “messed Jason up pretty bad. He went on a bad drug binge and was shooting cocaine for a long time.” Because he had refused to help Nicholas get a ride home on the day he vanished, Chantel says, Jason had “a lot of guilt.”

  In late 1996, Jason checked into a rehabilitation center and weaned himself from drugs. After he finished the program, he remained at the facility for more than a year, serving as a counsellor and working for a landscaping business that the center operated. He was still there when Bourdin turned up, claiming to be his missing brother.

  Bourdin wondered why Jason had not met him at the airport and had initially made no effort to see him at Carey’s. After a month and a half, Bourdin and family members say, Jason finally came for a visit. Even then, Codey says, “Jason was standoffish.” Though Jason gave him a hug in front of the others, Bourdin says, he seemed to eye him warily. After a few minutes, Jason told him to come outside, and held out his hand to Bourdin. A necklace with a gold cross glittered in his palm. Jason said that it was for him. “It was like he had to give it to me,” Bourdin says. Jason put it around his neck. Then he said goodbye, and never returned.

  Bourdin told me, “It was clear that Jason knew what had happened to Nicholas.” For the first time, Bourdin began to wonder who was conning whom.

  The authorities, meanwhile, had started to doubt Bourdin’s story. Nancy Fisher, who at the time was a veteran F.B.I. agent, had interviewed Bourdin several weeks after he arrived in the United States, in order to document his allegations of being kidnapped on American soil. Immediately, she told me, she “smelled a rat”: “His hair was dark but bleached blond and the roots were quite obvious.”

  Parker knew Fisher and had shared with her his own suspicions. Fisher warned Parker not to interfere with a federal probe, but as they conducted parallel investigations they developed a sense of trust, and Parker passed on any information he obtained. When Fisher made inquiries into who may have abducted Nicholas and sexually abused him, she says, she found Beverly oddly “surly and uncooperative.”

  Fisher wondered whether Beverly and her family simply wanted to believe that Bourdin was their loved one. Whatever the family’s motivations, Fisher’s main concern was the mysterious figure who had entered the United States. She knew that it was impossible for him to have altered his eye color. In November, under the pretext of getting Bourdin treatment for his alleged abuse, Fisher took him to see a forensic psychiatrist in Houston, who concluded from his syntax and grammar that he could not be American, and was most likely French or Spanish. The F.B.I. shared the results with Beverly and Carey, Fisher says, but they insisted that he was Nicholas.

  Believing that Bourdin was a spy, Fisher says, she contacted the Central Intelligence Agency, explaining the potential threat and asking for help in identifying him. “The C.I.A. wouldn’t assist me,” she says. “I was told by a C.I.A. agent that until you can prove he’s European we can’t help you.”

  Fisher tried to persuade Beverly and Bourdin to give blood samples for a DNA test. Both refused. “Beverly said, ‘How dare you say he’s not my son,’” Fisher recalls. In the middle of February, four months after Bourdin arrived in the United States, Fisher obtained warrants to force them to cooperate. “I go to her house to get a blood sample, and she lies on the floor and says she’s not going to get up,” Fisher says. “I said, ‘Yes, you are.’”

  “Beverly defended me,” Bourdin says. “She did her best to stop them.”

  Along with their blood, Fisher obtained Bourdin’s fingerprints, which she sent to the State Department to see if there was a match with Interpol.

  Carey, worried about her supposed brother’s self-mutilation and instability, was no longer willing to let him stay with her, and he went to live with Beverly in her apartment. By then, Bourdin claims, he had begun to look at the family differently. His mind retraced a series of curious interactions: Beverly’s cool greeting at the airport, Jason’s delay in visiting him. He says that, although Carey and Bryan had seemed intent on believing that he was Nicholas—ignoring the obvious evidence—Beverly had treated him less like a son than like a “ghost.” One time when he was staying with her, Bourdin alleges, she got drunk and screamed, “I know that God punished me by sending you to me. I don’t know who the hell you are. Why the fuck are you doing this?” (Beverly does not remember such an incident but says, “He must have got me pissed off.”)

  On March 5, 1998, with the authorities closing in on Bourdin, Beverly called Parker and said she believed that Bourdin was an impostor. The next morning, Parker took him to a diner. “I raise my pants so he can see I’m not wearing a gun” in his ankle holster, Parker says. “I want him to relax.”

  They ordered hotcakes. After nearly five months of pretending to be Nicholas Barclay, Bourdin says, he was psychically frayed. According to Parker, when he told “Nicholas” that he had upset his “mother,” the young man blurted out, “She’s not my mother, and you know it.”

  “You gonna tell me who you are?”

  “I’m Frédéric Bourdin and I’m wanted by Interpol.”

  After a few minutes, Parker went to the men’s room and called Nancy Fisher with the news. She had just received the same information from Interpol. “We’re trying to get a warrant right now,” she told Parker. “Stall him.”

  Parker went back to the table and continued to talk to Bourdin. As Bourdin spoke about his itinerant life in Europe, Parker says, he felt some guilt for turning him in. Bourdin, who despises Parker and disputes the details of their conversation, accuses the detective of “pretending” to have solved the case; it was as if Parker had intruded into Bourdin’s interior fiction and given himself a starring role. After about an hour, Parker drove Bourdin back to Beverly’s apartment. As Parker was pulling away, Fisher and the authorities were already descending on him. He surrendered quietly. “I knew I was Frédéric Bourdin again,” he says. Beverly reacted less calmly. She turned and yelled at Fisher, “What took you so long?”

  In custody, Bourdin told a story that seemed as fanciful as his tale of being Nicholas Barclay. He alleged that Beverly and Jason may have been complicit in Nicholas’s disappearance, and that they had known from the outset that Bourdin was lying. “I’m a good impostor, but I’m not that good,” Bourdin told me.

  Of course, the authorities could not rely on the account of a known pathological liar. “He tells ninety-nine lies and maybe the one hundredth is the truth, but you don’t know,” Fisher says. Yet the authorities had their own suspicions. Jack Stick, who was a federal prosecutor at the time and who later served a term in the Texas House of
Representatives, was assigned Bourdin’s case. He and Fisher wondered why Beverly had resisted attempts by the F.B.I. to investigate Bourdin’s purported kidnapping and, later, to uncover his deception. They also questioned why she had not taken Bourdin back to live with her. According to Fisher, Carey told her that it was because it was “too upsetting” for Beverly, which, at least to Fisher and Stick, seemed strange. “You’d be so happy to have your child back,” Fisher says. It was “another red flag.”

  Fisher and Stick took note of the disturbances in Beverly’s house after Nicholas had vanished, and the police report stating that Beverly was screaming at Jason over Nicholas’s disappearance. Then there was Jason’s claim that he had witnessed Nicholas breaking into the house. No evidence could be found to back up this startling story, and Jason had made the claim at the time that the police had started “sniffing around,” as Stick put it. He and Fisher suspected that the story was a ruse meant to reinforce the idea that Nicholas was a runaway.

  Stick and Fisher began to edge toward a homicide investigation. “I wanted to know what had happened to that little kid,” Stick recalls.

  Stick and Fisher gathered more evidence suggesting that Beverly’s home was prone to violence. They say that officials at Nicholas’s school had expressed concern that Nicholas might be an abused child, owing to bruises on his body, and that just before he disappeared the officials had alerted child-protective services. And neighbors noted that Nicholas had sometimes hit Beverly.

  One day, Fisher asked Beverly to take a polygraph. Carey recalls, “I said, ‘Mom, do whatever they ask you to do. Go take the lie-detector test. You didn’t kill Nicholas.’ So she did.”

  While Beverly was taking the polygraph, Fisher watched the proceedings on a video monitor in a nearby room. The most important question was whether Beverly currently knew the whereabouts of Nicholas. She said no, twice. The polygraph examiner told Fisher that Beverly had seemingly answered truthfully. When Fisher expressed disbelief, the examiner said that if Beverly was lying, she had to be on drugs. After a while, the examiner administered the test again, at which point the effects of any possible narcotics, including methadone, might have worn off. This time, when the examiner asked if Beverly knew Nicholas’s whereabouts, Fisher says, the machine went wild, indicating a lie. “She blew the instruments practically off the table,” Fisher says. (False positives are not uncommon in polygraphs, and scientists dispute their basic reliability.)